Électro

Concert review Électro/euro-disco

Art of the Line: Klangkarussell’s Euro Vision at SAT

By Loic Minty

Interview Électro/Classical/classique/techno-opéra

Semaine du Neuf | When Opera Questions Technology

By Judith Hamel

Album review Électro/expérimental / contemporain/Jazz/Rock 2024

The Smile – Wall Of Eyes (Top Albums 2024)

By Alain Brunet

Concert review Électro/Hip Hop/Latino

PAN M 360 AT FIJM 2024 | Baby Volcano In Eruption

By Michel Labrecque

Album review Electronic/classique/Électro/Classical 2024

Simon Leoza – ACTE III

By Frédéric Cardin

Concert review Pop/Électro/Electronic/Experimental / Contemporary/expérimental / contemporain

Erika Angell: Everybody, in trance!

By Frédéric Cardin

Album review Americana/Électro/Electronic/Soul/R&B/Rock 2024

Brittany Howard – What Now

By Michel Labrecque

Album review Électro/expérimental / contemporain/Classical/classique 2024

MC Maguire – Dystophilia

By Frédéric Cardin

Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Électro 2023

PAN M 360 / TOP 100 : OZmotic & Fennesz – Senzatempo 

By Théo Reinhardt

Album review Electronic/Électro/expérimental / contemporain/Jazz 2023

PAN M 360 / TOP 100 : Laurel Halo – Atlas

By Théo Reinhardt

Album review Électro/Rock 2023

PAN M 360 / TOP 100 : Yves Tumor – Praise a Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds)

By Stephan Boissonneault

Album review Électro/folk turc 2023

PAN M 360 / TOP 100 : Enes Cinpolat – Geliyo Geliyo

By Salima Bouaraour